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Bibcode (identifier) , contemporary art, raw style
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0-534-64091-5 (vol 2) Richard Wollheim, Art and its Objects: ISBN (identifier) , contemporary art, raw style
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Doi (identifier) , contemporary art, raw style
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Doi (identifier) , contemporary art, raw style
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978-0670920495 WΕadysΕaw Tatarkiewicz, A History of Six Ideas: ISBN (identifier) , contemporary art, raw style
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PMID (identifier) , contemporary art, raw style
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248769087. Worster, D. (1994). Nature's Economy: A PMID (identifier) , contemporary art, raw style
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Everett Gilbert and Helmut Kuhn, A History of ISBN (identifier) , contemporary art, raw style
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ISBN (identifier) , contemporary art, raw style
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Bibcode (identifier) , contemporary art, raw style
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Danto, The Abuse of Beauty: Aesthetics and the Concept ISBN (identifier) , contemporary art, raw style
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Doi (identifier) , contemporary art, raw style
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Doi (identifier) , contemporary art, raw style
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Croce. Aesthetic as Science of Expression and General ISBN (identifier) , contemporary art, raw style
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PMID (identifier) , contemporary art, raw style
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248769087. Worster, D. (1994). Nature's Economy: A History of S2CID (identifier) , contemporary art, raw style
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Armstrong and Catherine de Zegher, eds. Women Artists at ISBN (identifier) , contemporary art, raw style
Information about the artwork π΄
Artwork Revision & Model Testing
π΄
This artwork was created using an iterative process that involved testing various AI models. Each version reflects
refinements and discoveries made while experimenting with different generative approaches.
Movement in the piece was generated using semantic-stream, a tool that translates language into motion.
The resulting generations are presented as a collection, showcasing the evolving interplay between language and
machine interpretation.